Wednesday, November 30, 2016

My Examples:
Panning
f 2.9, ⅛ seconds, ISO 400

Slow Motion
















f 2.9, 1/4 exposure, ISO 200

Freeze Action
f 2.2, 1/204 second exposure time, ISO 50

Total Motion
f 2.9, 1/4 shutter speed, aperture 200

Tuesday, November 29, 2016

Comparison of Photos:
Gjon Mili, Ballerina Alicia Alonso in Pirouette Position, 1944, film photography

Sterling Baca – Double Cabriole Derrière


The photograph on the bottom is most expressive because it shows the movement of the dancer. The one on the top just looks like she is standing still. The photo on the right is more interesting because something is actually happening. Dance is all about movement, so photos depicting it should also show movement in order to accurately represent it.

Triptych = a picture presented in three parts or sections that are side by side
Diptych = same as triptych, but with two parts instead of three
Triptychs of Strangers #11, The Hungry Typograph - Hamburg
The depression portfolio - triptych by Edward Honaker

Duane Michals Andy Warhol, 1972, Silver gelatin print
http://www.maxestrella.com/artist/Duane%20Michals/work_336.html

Saturday, November 5, 2016

Abstraction and Depth of Field in Photography
Abstraction = the emphasis of ideas instead of clear subject matter
Abstraction in photography = making real life unidentifiable using photography techniques (e.g. zooming in on an object so close that you can’t tell what it is)
Examples:
Edward Burtynsky
This image is very sharp, but since the subject matter is unidentifiable, the sharpness doesn’t make it any less abstract.

Rachael K. Ivey
This image uses depth of field to bring the viewer’s eye to the center of the spiral by having that part in sharp focus and the edges out of focus. This use of depth of field emphasizes the spiraling lines, which therefore enhances the abstractness of the photo because there is no clear subject matter, only lines.

Alvin Langdon Coburn
The contrast of the black and white lines creates deep focus, which does not effectively enhance the abstractness of the photo because the deep focus makes the photo more realistic. Real life has deep focus.

Laurens Kaldeway — [oil and water]
Depth of field is not used in this photo because it is only on one plain.

David Hockney’s Joiners:
David Hockney, Prehistoric Museum Near Palm Springs, 1982

David Hockney

David Hockney

David Hockney

Photographer Influenced by David Hockney’s Joiners:

Haunted Mirrors by Allison Diaz

Allison Diaz

Serge Mendzhiyskogo


Bernhard Hosa
http://www.bernhardhosa.com/

Tuesday, September 6, 2016

Oldest Family Photo
 
I had an easy time finding my oldest family photo because my mom has detailed family history information on ancestry.com and we also have a family tree book with many old photos. I was going to use a photo from 1896 my mom found in the book, until we found this one from 1895 on ancestry.com. I found out from the information that my mom had posted online that the photo was of my maternal great-great grandparents on their wedding day in Marshfield, Oregon, which is now known as Coos Bay. Their names were Selma Sealander and Johan Grahn, but he changed it to John or Johnny Grant in order to be more American. Selma arrived in the U.S. in 1882 at seven years old, while Johan arrived in 1887 at age nineteen. They were both from Finland, with Selma from Karlby and Johan from Kronoby. They might have come through Ellis Island, but my mom and I haven’t found any proof of that. Selma was 20 years old in the photo and Johan was 28. They had five children, one of which was Ellen Irene Grant, who was my great grandmother, or my grandmother’s mother. Selma and Johan were married until Johan died at age 85, which was 57 years after the photo was taken. Selma died in 1968 at age 92. I hadn’t known any of this information or seen this photograph before this project, so it was interesting to learn a bit more about my family.

Old Process/New Artist


Wet Plate = The process of wet plates was invented by Frederick Scott Archer in 1851.
It is mostly used to make negatives, but, if adjusted, can produce positives as well. When used to make negatives, a clear piece of glass is coated in iodized collodion and then the plate is submerged in a silver solution in the darkroom. Next, the plate needs to be exposed in a camera before the chemicals on the plate dry out. After the plate is developed and fixed, the negative can be printed on any material, but albumen paper is most common.

Source: http://www.photographymuseum.com/primer.html


Hills and Saunders (Victorian photographic firm), 1872
Source: http://www.earlyphotography.co.uk/site/gloss10.html

Contemporary Wet Plate Artists:
Image result for Wet Plate
“Nordic Man", Quinn Jacobson, 8.5" x 6.5" (Whole Plate) Black Glass Ambrotype September 6, 2009 Gotheburg, Sweden
Source: http://studioq.com/blog/2009/9/8/goteborg-sweden-wet-plate-collodion-workshop.html

Image result for Wet Plate
German Murillo Photography
Source: http://www.germanmurillophotography.com/gallery/Wet_Plate/


Sebastien Arbona
Source: http://www.alternativephotography.com/wp/open-blog/at-the-corcoran-gallery-taking-his-time

Darkness
"Darkness" by Sarah Lycksten
Source: http://www.alternativephotography.com/gallery3/Sarah-Lycksten/Wet-plate-collodions

Image result for mark sink wet plate
Mark Sink
Source: http://iconolo.gy/archive/mark-sinks-wet-plates/645